Parmis les noirs

2013

silkscreen, paper, plaster, pigment, performance, digital prints, mdf.

4 pieces on the fluctuation of language between fluidity and petrification.

  1. First and last page of Raymond Roussel's manuscript, Parmis les noirs embedded into pigmented plaster. (silkscreen on paper, pigment, tables.
  2. Nyma Graphia Cifra: The Schematics of Wordplay and Coding
  3. The Reenactment of Guy de Cointet's "Two Drawings", titled "Two New Drawings", with the warped citations of his sculptures.
  4. A recreation of a advertisement for the play "Impressions d'Áfrique" based solely on memory and sketches.
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    performance-poster
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